Category Archives: Music News

How the Latin Industry Is Finally Helping Women Artists Conquer the Charts

How the Latin Industry Is Finally Helping Women Artists Conquer the Charts

At the start of this year, the Latin music world faced a reckoning. Reggaetón and urban had, over the previous few years, helped take Latin mainstream in the United States, but there were few women among the genre’s new stars. In 2015, only three female artists ranked in the top 50 of Billboard’s year-end Hot Latin Artists chart; in both 2016 and 2017, there were four. “There were always obstacles when you went to radio,” says Mayna Nevarez, whose PR/marketing firm clients include Daddy Yankeeand Natti Natasha. “There was an ongoing rhetoric: that women couldn’t be too sexy, that they didn’t sell, that they were divas and complicated.”

But during the past year, a change has come over the Latin landscape. All three major labels have made a noticeable effort to sign new female acts, both in the United States and throughout Latin America and Spain. Rising female artists are collaborating with one another more than their predecessors ever did, crossing label lines (like their male counterparts do) and exhibiting similar camaraderie on social media — witness Natti Natasha and Becky G’s “Sin Pijama,” a major hit for both artists; Mau y Ricky and Karol G’s “Mi Mala,” with a remix featuring Leslie Grace, Becky G and Lali Esposito; and the friendship between YouTube queen Lele Pons and Anitta, who frequently support each other on social media.

Karol G (left) and Becky G photographed on April 25, 2018 at The Venetian in Las Vegas.

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The results are clear on the Latin charts. “We made a commitment to bring diversity to the Latin music landscape, and this year we’ve had a record number of hits by female acts,” says Nir Seroussi, president of Sony Music U.S. Latin, whose roster includes Becky G, Shakira, Grace and Jennifer Lopez, in addition to Natti Natasha, whom Sony distributes. In 2017, there were 24 tracks with lead or co-lead female artists on Hot Latin Songs. In 2018 thus far, the number has swelled to 36. On the Latin Airplaychart, four tracks by or featuring women hit No. 1 in 2017; so far this year, the number has jumped to 13.

“There was definitely an opening for women [this year],” says Angel Kaminsky, executive vp Latin America/Iberian Peninsula for Universal Music, whose roster includes Karol G, Mon Laferte, Argentine former Disney star Tini and 19-year-old Aitana, a finalist on the Spanish reality TV competition Operación Triunfo. “There has been a surge like we’ve never seen before of female acts from many different countries with lots of attitude and potential. These girls are writing at a younger age, and the material reflects their stories and their lives, leading to bigger engagement.”

Walter Kolm (left) and Wisin photographed on Oct. 16, 2018 at East, Miami in Miami.

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Sony Latin, for example, has tapped female artists’ songwriting potential in its so-called “secret sessions,” which have produced material for female acts and fostered collaborations among them. Lopez’s “El Anillo,” which reached No. 1 on Latin Airplay, and “Sin Pijama,” the first top 10 on Latin Pop Songs since 2014 with two credited women, were both created at these sessions.

And while in the past male support was essential to getting a woman’s voice noticed or landing it on the charts (see: Bad Bunny with Natti Natasha, Ozuna with Karol G), labels and artists themselves are now actively seeking out all-female collaborations. Universal Spain’s Aitana and Ana Guerra released “Lo Malo” earlier this year; a new remix added newcomers Tini and Colombian actress-singer Greeicy. Now, Guerra and Tini have exchanged invites to perform at each other’s shows. Female artists “are all pushing for each other,” says Kaminsky.

Becky G, Natti Natasha, "Sin Pijama"

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Natti Natasha & Becky G on ‘Sin Pijama’ & Reggaeton’s Gender Imbalance: ‘People Tried to Pit Us Against Each Other’

As Latina artists’ presence has expanded on the charts and beyond this past year, the industry is honoring them accordingly. In January, roughly half of the performances at Univision’s Premios Lo Nuestro featured women. In October, the Latin American Music Awards focused on female contributions to Latin music, spotlighting singers like Lopez and Gloria Estefan, who paved the way for a new generation of female artists. As for the Latin Grammys in November, J Balvin leads the nominations with eight, but Sony Spain’s Rosalía scored a surprising five nods, and singer-songwriters Kany Garcíaand Natalia Lafourcade have four each. And on Nov. 17, Univision Radio will present Las Que Mandan (The Female Bosses), a concert at Los Angeles’ Forum with an unprecedented lineup of established and up-and-coming female artists, including Natti Natasha, Gloria TreviThalía and Paulina Rubio.

“Seeing more women become part of the shared voice in music is really exciting,” says Univision Radio president Jesus Lara. “Considering the political and social context that we’re living in now, we thought it was important — from an artist development standpoint, and a celebratory one — to bring more women to the forefront.”

This article originally appeared in the Nov. 3 issue of Billboard.

J Balvin Brings Out Anitta, Bad Bunny, Nicky Jam & More in Miami: See the Best Moments

J Balvin Brings Out Anitta, Bad Bunny, Nicky Jam & More in Miami: See the Best Moments

Balvin definitely went all out for the performance. It was not just having a dinosaur on stage, or emerging from a giant egg to finish the show with “Mi Gente” — he also brought great visual effects like lights, and no detail was spared when it came to his dancers’ epic costumes.

J Balvin performs live during a show as part of the 'Vibras Tour 2018' at Toyota Music Factory on Oct. 5, 2018 in Irving, Texas. 

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J Balvin Takes Fans Behind the Scenes Of His Epic Vibras Tour: Exclusive

For this last concert, dinosaurs were not the only companions for J Balvin. He planned a few awesome surprises, inviting special guests that included his greatest friends.

Check out the best moments from J Balvin’s show in Miami below.

The dinosaurs

Before the concert, they were just chilling and taking selfies with the audience.

 

All About Rosalía and Her Anticipated Album ‘El Mal Querer’

All About Rosalía and Her Anticipated Album ‘El Mal Querer’

The five-time Latin Grammy nominee, whose hotly-anticipated album will be released this week, tells Billboard how she became this fall’s artist to watch.

This Friday (Nov. 2), Rosalía will release her album El Mal Querer on Sony Music Spain. The 26-year-old artist is already a sure bet for a win at the Nov. 15 Latin Grammys, with five nominations for the album’s first single, “Malamente,” including Recording of the Year and Song of the Year.

Also nominated is the video for the song, which has more than 25 million YouTube views and has boosted Rosalía’s budding fame beyond the young Spanish fans who swiftly took to the single to platinum status. Sources at Sony Spain say that she is already at work on music for a subsequent album with big-name producers who are not known for their work in Latin music.

“Her next step is the international mainstream,” says Sony Spain President José María Barbat, who first saw her in rapper C Tangana’s video for the 2016 song “Antes de Morirme,” which she co-wrote with her then-boyfriend. Barbat recalls that he immediately asked, “Who’s that girl?”

Last Friday (Oct. 26), Apple’s Tim Cook uploaded a photo of himself with Rosalía on social media, and over the weekend, Rosalía herself said she “died” when she saw that Lana del Rey was following her on Twitter.

J Balvin

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Rosalía has so quickly earned her pop-star status that it might surprise some that El Mal Querer sounds so flamenco. The album, which, Barbat stresses, Rosalía produced independently without label interference, is free of the kind of celebrity artist pairings and facile made-to-be hits that routinely appear on the records of up-and-coming major label artists.

The artist says that El Mal Querer was her graduate thesis for her university studies at Barcelona’s Catalunya College of Music, where she studied flamenco as well as music production. While she calls the album “100 percent inspired by flamenco,” some flamenco purists have blasted her, with one critic commenting “she lacks almost everything” that a singer must have to practice the Spanish art form. Her videos, too have courted controversy.

“She uses our symbols like false eyelashes,” a gypsy activist told a Spanish journalist, adding that she is “using gypsies as something cool to incorporate into her costume, but we aren’t important to her socially.”

Rosalía herself states that she is “making songs that depart from elements of flamenco.” She cringes when the word “trap” is used to describe her music, as it often has been, but is not in a hurry to define her sound. “There are clearly flamenco elements, but at the same time I don’t know what it is,” she tells Billboard. “And I don’t expect a clear answer to that.”

On a hot August day, Rosalía appeared in the bar of a Barcelona hotel in jeans, a striped t-shirt and platform sneakers, her dark brown hair in a braid. The only sign of the streetwise glamour of her videos and recent stage shows were her silver, jewel-encrusted nails. Rosalía talked to Billboard about her new album, growing up and discovering flamenco in a town outside of Barcelona, and how she became this fall’s artist to watch.

Rosalia and Juanes at the Latin GRAMMY® Acoustic Sessions on Sept. 11, 2018.

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You grew up in the same place where you now live with your mother and sister, in Sant Esteve Sesrovires. Do you have flamenco musicians in your family, or were they flamenco fans?

My family didn’t listen to flamenco. In my house, it was The Beatles, Queen, Bob Dylan, a lot of English-language music. I really didn´t have any flamenco input. The closest was with my grandmother. Some weekends when I was with her, she’d be humming Sara Montiel songs, some copla. That was the closest, but it wasn’t flamenco. I was 13 when I heard flamenco for the first time. I remember coming out of my school. We used to go to a park. I used to hang around with people who were older than I was; they had these tricked-out speakers and they would open all the doors of their cars. At that time, you would hear a lot, a lot of flamenco.

There are a lot of people from Andalusia in my neighborhood. I grew up with children of Andalusian immigrants. The area I grew up in, El Baix Llobregat, well it’s kind of like Los Angeles and Mexicans. The culture is there, you can breathe it in all around you. For me flamenco is the most honest and visceral music that exists. That’s why it captured me. Because I realized that you have to since when you sing it, if not it doesn’t sound. You have to implicate yourself in it, if not it doesn’t work. In flamenco, old age is something that’s respected, and I think that’s a really good thing. The best singers are older people. It makes me feel like I have to be constantly learning and that I am going to age learning and making music. And I love that.

One day, I heard Camarón [de la Isla], and for me, that was the moment of before and after. It was a discovery that made a big impact on me.

It surprised me, it was like something totally new and unexpected. It was very visceral and animalistic. It surprised me, but at the same time it felt very familiar. It was like “wow!” There was something that connected with me, I don’t know what it is. And from that moment on, I allowed myself to get close to that music.